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My first ever exhibition. Basquiat inspired as always. I was really interested in family disfunction. Putting a spin on this I looked at my friends and colleagues. I wanted to illustrate them in a way that’s more than just the superficial, looking

spleeneideal: “One day the angels came to present themselves before the Lord,and Satan also came with them.” - Job 1.6 - naggisch: bewitching: marsiouxpial: Henry Singleton 1766-1839, Ariel on a Bat’s Back exhibited 1819 (via Tate Collection

Mister Mugzy's High Res Image Collection

transistoradio: Alan Reynolds (b.1926), Summer: Young September’s Cornfield (1954), oil on hardboard, 154.9 x 102.2 cm. Collection of Tate, UK. Via Tate.

John Minton (Great Shelford, Cambridgeshire, 1917 - 1957 London); The death of James Dean, 1957; oil on canvas, 122 x 183 cm; Tate collection, London

Wyndham Lewis (born aboard his parents’ yacht near Amherst, Nova Scotia, 1882 - d. London 1957); A Canadian War Factory, 1943; oil on canvas, 85.5 x 114 cm; Tate Collection, London

Marcus Gheeraerts the Younger (Bruges 1561/62 - London 1636); Portrait of Captain Thomas Lee in Irish dress, 1594; oil on canvas, 150 x 230 cm; Tate British Collection

alaspoorwallace:Salvador Dalí (Spanish, 1904-1989), Métamorphose de Narcisse [Metamorphosis of Narcissus], 1937. Oil on canvas, 51 x 78 cm. Tate Collection

artmastered: J. M. W. Turner, Snow Storm: Steamboat off a Harbour’s Mouth, exhibited 1842, oil on canvas, 91.4 x 121.9 cm, Tate Collection. Source The story goes that Turner painted this particular stormy seascape whilst physically tied to the mast

antonio-m: Bathing, Duncan Grant, Summer 1911. (Tate Collection)

darksilenceinsuburbia: Louis Le Brocquy. Image of James Joyce, 1977. Oil on canvas, 703 x 704 mm. Tate Collection Presented by the artist 1989. © Louis Le Brocquy

Burning of the Books at Ephesus by James Thornhill Date painted: c.1720 Oil on canvas, 76.2 x 50.8 cm Collection: Tate

hadrian6: Paul and Apollos. 1872. Sir Edward Poynter. 1836-1896. Tate collection.

desimonewayland: Sir Sidney Nolan Imitation IV 1972 Screenprint on paper Collection Tate © The estate of Sir Sidney Nolan. All Rights Reserved 2010 / Bridgeman Art Library

nyctaeus: David Hockney, ‘George Lawson and Wayne Sleep’, acrylic paint on canvas, collection Tate, 1972-75

monochromemono: Bob Law (1934‑2004) Title No. 62 (Black/Blue/Violet/Blue) Date1967 MediumAcrylic on canvas Dimensionssupport: 1676 x 1753 mm Collection Tate

transistoradio:Henry Fuseli (1741-1825), The Shepherd’s Dream, from “Paradise Lost” (1793), oil on canvas, 215.3 x 154.3 cm. Collection of Tate, UK. Via Tate.

phunguy: “PHUNGUY” - Tate & Forrest in My “Cum Fucked” Collection…Follow me @ PHUNGUY.tumblr.com

transistoradio: Eliot Hodgkin (1905-1987), Undergrowth (1941), tempera on canvas, 36.8 x 41.3 cm. Collection of Tate, UK. Via Tate.

cavetocanvas: Asger Jorn, Untitled A (left) and Untitled C (right), 1958-59 From the Tate Collection: Urgency and spontaneity are essential elements of Jorn’s work. They can be seen in the roughly worked background and short, aggressive lines found

cavetocanvas: Asger Jorn, The Black Fight, 1955 From the Tate Collection: This work has a sketch-like quality. The fluid composition, made up of spontaneous, expansive strokes, may reflect the freedom of flight. Although verging on abstraction, the

10 Keith Vaughan, Bather: August 4th 1961, Tate Collection.

transistoradio: Henry Tonks (1862‑1937), A Girl with a Parrot (c.1893), oil on canvas, 31.1 x 45.7 cm. Collection of Tate, UK. Via Tate.

transistoradio: Ceri Richards, Pastorale (1970), screenprint on paper, 45.2 x 76.2 cm. Collection of Tate, UK. Via Tate.

centuriespast: Seated Nude: The Black Hat by Philip Wilson Steer Date painted: c.1900 Oil on canvas, 50.8 x 40.6 cm Collection: Tate

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